Among the new movies that were released Friday, Feb. 12 are a romantic dramedy starring Rebecca Hall and Jason Sudeikis, a documentary from Michael Moore and a comedy sequel starring Ben Stiller.

‘Standoff’

Thomas Jane plays a troubled veteran who gets a chance at redemption by protecting a 12 year-old girl from an assassin (Laurence Fishburne) after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl’s life. (R – 80 minutes)

“Standoff” holds your attention – and your nerves – hostage for the duration of its runtime with a super simple premise, some snappy dialogue and a pair of fine performances from its actors. The new single-setting thriller is not about flashy special effects or explosive action sequences. Instead, it concentrates on building and maintaining suspense and, as a result, succeeds at entertaining audiences every step of the way. Writer/director Adam Alleca uses a brisk screenplay and excellent sense of place to keep tension extremely high from beginning to end while stars Thomas Jane and Laurence Fishburne are each other’s perfect foil. (4 Stars)

‘Tumbledown’

Rebecca Hall plays a small town journalist who, struggling to write the biography of her late husband, meets a brash, smart-alecky New York academic (Jason Sudeikis). The unlikely pair strike up a deal to collaborate on the book, forcing them to confront truths about themselves and the possibility that the next chapter in their lives may involve each other. (R – 105 minutes)

“Tumbledown” is a romantic dramedy that is less about passion than it is about the way in which we genuinely affect one another. As a result, it is far more emotionally resonant than the genre’s typical fare. The movie is sometimes slow and we never quite care about the recently deceased folk singer at the center of the story as much as director Sean Mewshaw and screenwriter Desiree Van Til might want us to, but we witness an authentic transformation in Rebecca Hall’s and Jason Sudeikis’s characters that encourages honest introspection. And by the end, we are truly touched by their profound connection. (3 Stars)

‘Where to Invade Next’

Filmmaker Michael Moore visits a host of nations to learn how the U.S. could improve its own prospects and discovers that the solutions to America’s most entrenched problems already existed in the world – they’re just waiting to be co-opted. (R – 110 minutes)

If ever there was a movie that made you want to live in another country – any other country than America – then “Where to Invade Next” would be it. Michael Moore’s new documentary demonstrates with the filmmaker’s trademark wit that those in other countries lead far better lives than we do. Witnessing their health, wealth and happiness will undoubtedly make most moviegoers as envious as they are entertained. In addition to shining a spotlight on the good old U-S-of-A’s deficiencies in such as way that makes us simultaneously laugh and think, Moore presents several solutions to improve what we naively believed was the best country in the world. (4 Stars)

‘Zoolander 2’

Ben Stiller and Owen Wilson reprise their roles as models who this time face a threat to their continued success. Other stars include Will Ferrell, Penélope Cruz and Kristen Wiig. (PG-13 – 100 minutes)

“Zoolander 2” is silly, simple-minded and… well… stupid. That is not necessarily news as said characteristics are likely not only expected but actually appreciated by fans of the first film. However, they do tend to overwhelm (or underwhelm, depending on your particular perspective) and yield more groans than laughs thereby making the new comedy sequel somewhat unsatisfied. Still, it remains consistently entertaining thanks to the sheer number of actors who appear in roles ranging from supporting characters to quick cameos. That aspect alone is amusing enough to warrant a watch. The overpowering desire to sport a Blue Steel pose in your next driver’s’ license photograph is just icing on the cake. (3 Stars)

Among the new movies that were released Friday, Feb. 5 are a star-studded comedy from Joel and Ethan Coen, a legal thriller in which Josh Duhamel finds himself caught in between Anthony Hopkins and Al Pacino and a thriller that has Ethan Hawke investigating an unspeakable crime.

‘Hail, Caesar!’

Josh Brolin plays a Hollywood fixer who, in the 1950’s, works to keep the studio’s stars in line. George Clooney, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton and Channing Tatum also star. (PG- 13 – 100 minutes)

“Hail, Caesar!” is sporadically amusing and features a tremendously talented cast but the sum of its parts is less than spectacular. In fact, an awful lot of the new comedy from Joel and Ethan Coen is downright dull. Many of its jokes just fall flat while others have their sights set so squarely on Hollywood insiders that they fly right over the heads of general audiences. Some scenes are a gold as the golden era itself – such as one in which Channing Tatum sings and dances in a sailor suit – but said moments are few and far between. (2 Stars)

‘Misconduct’

Josh Duhamel plays an ambitious lawyer who finds himself caught in a power struggle between a corrupt pharmaceutical executive (Anthony Hopkins) and his firm’s senior partner (Al Pacino). When the case takes a deadly turn, he must race to uncover the truth before he loses everything. (R – 106 minutes)

Due to its ludicrous plot developments and dramatic twists, “Misconduct” is almost fun to watch on a guilty pleasure level. After all, the new legal thriller draws you in with some stylish cinematography as well as a top-notch cast that includes Josh Duhamel, Anthony Hopkins and Al Pacino – and that’s just the headliners. But about halfway through, the story starts racing ahead of itself; key scenes are seemingly skipped over and the narrative begins jumping in several different directions. What was once entertaining is suddenly completely preposterous and difficult to follow. (2 Stars)

‘Mountain Men’

Tyler Labine and Chace Crawford play estranged brothers who journey to a remote family cabin in the mountains. Buried resentment and bruised egos soon derail the plan and when the smoke clears they’ve destroyed their car and burned down the cabin. With their very survival at stake, they must learn to work together to get back to civilization. (NR – 90 minutes)

“Mountain Men” entices viewers to accompany its characters on their trek up to a snowy hilltop with the promise of goofy laughs and the potential for emotional resonance. But then it strands them there with dull drama and annoying arguments. Its abrupt tonal fluctuations make caring about its characters exceptionally difficult. You cannot laugh at them because they truly are in grave danger and you cannot empathize with them because they were never that likeable in the first place. The fact that its resolution is as light as a feather is the final nail in its coffin. (1 Star)

‘Regression’

Ethan Hawke plays a detective investigating the case of a young girl (Emma Watson) who accuses her father (David Dencik) of an unspeakable crime. When said father unexpectedly and without recollection admits guilt, a renowned psychologist (David Thewlis) is brought in to help him relive his memories. What they discover unmasks a horrifying nationwide mystery. (R – 106 minutes)

“Regression” is a preposterous thriller masquerading as a hard-hitting drama. As a result, genuine emotion is exchanged for eye-rolling with the flick quickly revealing its true colors as something that lacks any real relevance whatsoever. The seriousness with which it presents itself is not only unsubstantiated but also offensive. To make matters worse, it is over-acted and treated by its typically talented cast like a melodrama. Meanwhile, the story spins its wheels and chases its own tail for too long, putting viewers to sleep and preventing them from caring about the conclusion once it finally rolls around. (1 Star)

The cast of “Cooper Barrett’s Guide to Surviving Life” (Jack Cutmore-Scott, Meaghan Rath, James Earl and Charlie Saxton) will be outside the ASU bookstore at 1 p.m. Monday, Jan. 25 handing out hangover shots and then inside AMC Centerpoint 11 at 4:30 p.m. for a Q-and-A following a screening of the next two episodes of their show, which returns Sunday, Feb. 14 on FOX. Tune in to Breakthrough Entertainment 9 a.m.-Noon Saturday, Jan. 30 for Joseph’s full interview.

Among the new movies that were released Friday, Jan. 22 is a drama aiming to stop human trafficking.

‘Caged No More’

Loretta Devine plays a grandmother who discovers that her two granddaughters have been kidnapped by their sinister father (Kevin Sorbo) and taken overseas to be sold into slavery to settle his drug debt. She enlists the help of the girls’ uncle (Sorbo) and his son (Alan Powell) who will stop at nothing to see them safely returned home. (PG-13 – 90 minutes)

“Caged No More” is thrilling, emotional and most of all meaningful. The new drama addresses the very disturbing – and very real – subject of human trafficking in such a way that simultaneously entertains and incites action. It is impossible to exit the movie theater without feeling driven to do something about the tragic topic that inspired the story. Star Alan Powell is captivating as our protagonist while co-star Kevin Sorbo impresses with dual roles that exist on polar-opposite ends of the character spectrum. The final act will cause you to cling to your seat with suspense, leaving an impact that lingers long after the end credits have rolled. (3 Stars)

Among the new movies that were released Friday, Jan. 15 are an actioner from director Michael Bay, a character study starring Richard Gere and a drama that features a potentially controversial relationship.

‘13 Hours: The Secret Soldiers of Benghazi’

John Krasinski plays one of six elite ex-military operators employed by the CIA who fight back against overwhelming odds during an attack at a U.S. compound in Benghazi, Libya. (R – 144 minutes)

“13 Hours: The Secret Soldiers of Benghazi” is relentless in its intensity, serving as one great, big grenade launcher for your senses. Having been directed by Michael Bay, you should not be surprised that the new actioner has its fair share of explosions to keep you on the edge of your seat for the duration of the roller-coaster ride. But its best attribute is the infectious anxiety that it depicts, leaving viewers genuinely rattled. The first act could have been radically condensed as it is rather generic and makes the movie unnecessarily long while the rest is remarkably riveting. (4 Stars)

‘The Benefactor’

Dakota Fanning and Theo James plays a newly married couple that is forced to navigate the all-consuming interest of a powerful, mysterious, and possessive philanthropist (Richard Gere). (NR – 92 minutes)

At best, “The Benefactor” is a showcase for star Richard Gere’s acting abilities. He gives a commanding performance that cuts straight through to the message about self-serving philanthropy that writer/director Andrew Renzi is attempting to relay via debut drama. However, the story itself is too slowly paced and pretty predictable in its path to our flawed protagonist’s discovering the err of his ways. Without Gere’s convincing transitions between charming and contentious, there would be little in the film worth watching. As is, though, the movie makes for a thought-provoking character study and another reason to declare Gere as a truly talented actor. (3 Stars)

‘Lamb’

Ross Partridge plays a man who meets a young girl (Oona Laurence) in a parking lot and attempts to help her avoid a bleak destiny by initiating her into the beauty of the outside world. The journey shakes them in ways neither expects. (NR – 96 minutes)

“Lamb” is a movie that may say as much about the viewer as it does about its own subject matter. The new drama challenges its audiences to remain open-minded and leave any preconceived notions at the theater door. Those unable to do so will be appalled; but they will also miss out on writer/director/star Ross Partridge’s beautifully poetic message about looking outside of ourselves to understand one another. It is a message that encourages compassion and more enlightened beliefs about relationships. In addition to that, the film also features finely attuned performances from Partridge and his young co-star Oona Laurence. (4 Stars)

‘Moonwalkers’

Ron Perlman plays an unstable CIA agent who, after failing to locate the legendary Stanley Kubrick, must instead team up with a seedy rock band manager (Rupert Grint) to develop the biggest con of all time – staging the moon landing. (R – 107 minutes)

“Moonwalkers” takes a silly premise and flails it around like a ragdoll until it is no longer amusing and only annoying. The new comedy has all of the signs of a first-time director trying to find his voice, frustrating viewers with various tonal shifts and no singular identity or vision. The end-result is rather dizzying – especially its dream-like sequences that feel more like a bad acid trip than productive entertainment. Worst of all, though, the flick falls victim to its own absurdity, posing more nonsensical scenarios than even a more accomplished filmmaker would know how to conclude. (2 Stars)

Segment 1 – Post-Holiday Host Chat

Segment 2 – Review: “Anomalisa”

Segment 3 – Review: “The Revenant” (Part 1)

Segment 4 – Interview: Actress Shalita Grant (“Mercy Street”)

Segment 5 – Interview: Jacqueline Piñol (“Bordertown”)

Segment 6 – Interview: Actor Nick Swardson (“Hell and Back”)

Segment 7 – Interview: Marie Sullivan (Arizona Women’s Education and Employment)

Segment 8 – Interview: Marcie Ellis  (Native American Fine Arts Festival)

Segment 9 – Review: “The Revenant” (Part 2)

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Jan. 8 are an animated project from writer/director Charlie Kaufman and a wilderness drama starring Leonardo DiCaprio.

‘Anomalisa’

David Thewlis voices a man who, crippled by the mundanity of his life, experiences something out of the ordinary. Additional voice talents include Jennifer Jason Leigh and Tom Noonan. (R – 90 minutes)

Some moviegoers may immediately dismiss “Anomalisa” due to it being an animated film. However, it only takes a few moments before you completely succumb to its story and find yourself identifying with its characters who quickly become more real than most of those that are made of flesh and blood in other movies. Universal emotions that are authentically addressed in a beautifully artistic manner as writer/director Charlie Kaufman makes some stupendously poignant observations about life. An unsatisfyingly open-ended conclusion prevents the motion picture from approaching perfection but its tendency to encourage simultaneous thought and feeling is second to none. (4 Stars)

‘The Revenant’

Leonardo DiCaprio plays a legendary explorer who, in an expedition of the uncharted American wilderness, is brutally attacked by a bear and left for dead by members of his own hunting team. In a quest to survive, he endures unimaginable grief as well as the betrayal of his confidant (Tom Hardy). Guided by sheer will and the love of his family, he must navigate a vicious winter in a relentless pursuit to live and find redemption. (R – 156 minutes)

Leonardo DiCaprio has shined in many roles over his career but never has he done so with so little dialogue as in “The Revenant.” The new drama sees the actor giving one of his greatest performances primarily with the use of facial expressions and body language. He expertly communicates physical and emotional pain as well as a purposeful perseverance that will leave viewers simultaneously exhilarated and exhausted. It takes some time to become interested and invested in the world that Alejandro González Iñárritu creates but once the bear attack occurs, there is no turning back from a completely captivating adventure. (4 Stars)

Breakthrough Entertainment counts down world famous film critic Joseph J. Airdo’s Top Ten Movies of 2015 and re-vists their conversations with some of their greatest guests from over the past year.

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Among the movies that are the best of 2015 are the long-awaited new installment in the “Jurassic Park” franchise, a sequel that re-visits the Griswold family for a new generation and a family flick featuring one of the most famous bears in literary history.

10. ‘Shaun the Sheep’

“Shaun the Sheep” is extraordinarily simple, featuring a straight-forward story and absolutely no dialogue whatsoever. That approach may be a bit counterintuitive in an age when animated adventures are predominantly populated with clever quips and elaborate narratives. However, without having to worry about such superficial aspects, writers/directors Mark Burton and Richard Starzak’s resources are freed up so they can instead focus on delivering incomparable creativity – which they undoubtedly do. The end-result is a charming, heart-warming, exciting and hilarious movie that will delight audiences of all ages as the best animated adventure of the year.

9. ‘The Night Before’

“The Night Before” is one crazy Christmas party that will occasionally offend you, periodically cause laughter to the point of tears and sometimes even sincerely move you. That balancing act that earns it a place on both of Santa’s lists – naughty and nice – is its greatest attribute. Granted, the new holiday comedy is a far cry from your favorite Christmas classics of yesteryear and its particular brand of humor may hinder some viewers’ enjoyment, but it is also a fun and festive film that enlightens us to live in the moment rather than mourning the past or fearing the future.

8. ‘The Hateful Eight’

“The Hateful Eight” delivers the most dynamite dialogue of the entire year, creating a compelling, comical and most of all clever production that is quite truly unlike any other movie you have ever seen. It starts off somewhat slow and builds to a second half that is forceful, electrifying and violent beyond belief. Writer/director Quentin Tarantino assembled the perfect cast to put on such a spectacular and stirring presentation with Jennifer Jason Leigh giving the best performance by any actor in all of 2015. This is more than a movie; it is an experience – especially if seen during its road-show run that includes an overture, intermission and 70mm picture.

7. ‘San Andreas’

“San Andreas” is not a movie. It is a ride – a relentlessly rip-roaring, edge-of-your-seat-and-occasionally-fall-right-off ride. Granted, its track is populated with preposterous plot points and droll dialogue – each line more ludicrous than the last – but these only deepen the diverting nature of the new action-packed thriller, allowing audiences to check life’s annoying anxieties at the door along with their brains and simply have fun. The special effects are astonishing and often cause one’s stomach to drop, constantly inciting an emotional release and making the movie one of the best examples of cinematic escapism in recent years.

6. ‘No Escape’

“No Escape” is incredibly intense, terrifying viewers into canceling any plans they may have had to travel abroad. After all, there is enough chaos to deal with right here at home without having to worry about deciphering a different language or comprehending another culture in the midst of cataclysmic circumstances. The new thriller is a relentless, edge-of-your-seat ride through some of the most unbearable suspense imaginable, leaving your nerves frayed beyond repair. Granted, there are some moments that are a bit unbelievable but the excitement offsets that and makes this one of the most electrifying movies of the year.

5. ‘Backcountry’

“Backcountry” will do for camping what “Frozen” did for skiing, transmitting trepidation into even the bravest backpacker. The new thriller starts off slowly with writer/director Adam MacDonald using everything from intimidating strangers to the vast setting itself to create a tension that could seemingly snap at any given moment. And snap it eventually does in such a way that is guaranteed to give you nightmares. MacDonald skillfully uses the ultimate trifecta of suspense, surprise and gruesomely graphic imagery to unnerve viewers beyond belief and leave one hell of a lasting impact on their psyches. Moreover, star Missy Peregrym’s performance is electrifying.

4. ‘The Green Inferno’

“The Green Inferno” is an acquired taste. That is to say, the new Peruvian jungle-set shocker is certainly not for everyone as most moviegoers will likely be unable to stomach the gory, gruesome and grotesque images that are placed on display. However, those who have an appetite for bloodcurdling carnage will be in hog heaven as writer/director Eli Roth has undoubtedly outdone himself here, serving up a nauseatingly blood-soaked thriller. It is a fantastically frightening feast from beginning to end, cooking up horror that is insanely intense, incredibly creative and has a definitively distinct flavor.

3. ‘Paddington’

“Paddington” is a magically charming motion picture, every bit living up to author Michael Bond’s classic stories that illuminated many of our childhoods. The new family flick, which blends live-action with computer animation, is vastly imaginative, incredibly cute and most of all wonderfully heartwarming as it wins over audiences of all ages with lots of organic laughs and an earnest story about loving and looking out for one another. Its sole imperfection is that every admission does not come with a marmalade sandwich. Then again, you could always sneak an emergency one into the theater by hiding it under your hat.

2. ‘Vacation’

“Vacation” is the laugh-out-loudest comedy of the year, consistently leaving viewers in stitches every step of the way to Walley World. The new sequel to National Lampoon’s classic film franchise honors its predecessors while also upping the ante, modernizing the humor for a new generation. Skyler Gisondo easily steals the show as the exasperatingly awkward James Griswold but the entire cast comes together terrifically, forming a family whose funny misadventures make for one of the most entertaining times you will have in a movie theater this season and culminate with just the right amount of heart.

1. ‘Jurassic World’

“Jurassic World” is easily this year’s best movie, boasting the absolutely perfect blend of nostalgia and new. Fans of 1993’s “Jurassic Park” will be completely enamored with the blockbuster sequel as director Colin Trevorrow honors their memories with subtle references while also making their dreams of a fully functioning dinosaur theme park come true in such a way that is even more impressive than they imagined. And everyone – including newcomers who have never known a time before larger-than-life special effects – will be blown away by the thrilling action that rejuvenates the motion picture industry’s power to affect audiences to the degree that they surrender to their senses and suspend all disbelief.

Breakthrough Entertainment gets you ready to ring in the new year with World Almanac senior editor Sarah Janssen, comedian Paul Rodriguez, Tournament of Roses president Mike Matthiessen, kissing expert Andrea Demirjian, champagne expert Ruth Frantz and – live from Times Square – Countdown Entertainment president Jeffrey Straus. (Download MP3)

Segment 1 – New Year’s Eve Appetizers: Ciao Pittsburgh’s Aroma Italian Seasoning and WOATS Oatsnack

Segment 2 – Interview: Sarah Janssen (“World Almanac and Book of Facts”)

Segment 3 – Reviews: “Daddy’s Home,” “The Hateful Eight” and “Joy”

Segment 4 – Interview: Paul Rodriguez (Laugh Factory)

Segment 5 – Interview: Mike Matthiessen (Tournament of Roses)

Segment 6 – Reviews: “The Big Short,” “Carol” and “Concussion”

Segment 7 – Interview: Andréa Demirjian (“Kissing: Everything You Ever Wanted to Know About One of Life’s Sweetest Pleasures”)

Segment 8 – Interview: Ruth Frantz (Henri’s Reserve Family Estate Champagnes)

Segment 9 – Interview: Jeffrey Straus (Countdown Entertainment)

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Dec. 25 are a comedy that combines the skills of Mark Wahlberg and Will Ferrell, Quentin Tarantino’s latest cinematic masterpiece and a dramedy that re-teams the talents of David O. Russell, Jennifer Lawrence, Robert De Niro and Bradley Cooper.

‘The Big Short’

Christian Bale, Steve Carell, Ryan Gosling and Brad Pitt play outsiders in the world of high-finance who predict the credit and housing bubble collapse of the mid-2000’s and decide to take on the big banks for their lack of foresight and greed. (R – 130 minutes)

“The Big Short” features a pair of firecracker performances from Christian Bale and Steve Carell. But that is about the extent of the strengths of the new dramedy that is much more likely to put you to sleep than excite or enlighten. Aside from the undoubtedly dull subject matter and torturously overlong runtime, the movie’s most massive mistake is its condescension. Writer/director Adam McKay frequently pauses the motion picture to talk down to his audience. Here’s a hint: If something needs constant explanation then it has no place passing itself off as entertainment. (Thumbs Down!)

‘Carol’

Rooney Mara plays a department store clerk who, dreaming of a better life in 1950s New York, falls for an older, married woman (Cate Blanchett). (R – 118 minutes)

“Carol” is an absolutely beautiful movie – both inside and out. The new drama features excellent performances from stars Rooney Mara and Cate Blanchett, exhibits its setting in such a way that is tremendously transporting and tells a story that is deeply moving. It is a somewhat slow motion picture, though, and that may leave some viewers feeling listless – especially during the second half of the film. The first half takes place at Christmastime and therefore benefits from the accompanying charm. Once the Santa hats and toy trains are removed, the movie is missing a little allure, but its elegance, grace and emotional weight remain. (Thumbs Up!)

‘Concussion’

Will Smith plays an accomplished pathologist who uncovers the truth about brain damage in football players that suffer repeated concussions in the course of normal play. (PG-13 – 123 minutes)

“Concussion” has a very vital story to share. Unfortunately, it shares the same elements of said story over and over and over until the viewer becomes numb to it. There is no doubt that the new drama has a deeply important message and features a praiseworthy performance from star Will Smith – and that, combined with a small albeit appealing romantic subplot make it a movie well worth seeing. However, its not a true touchdown much less a motion picture that will accomplish its obvious awards aspirations due to its repetitive and melodramatic nature. (Thumbs Up!)

‘Daddy’s Home’

Will Ferrell plays an affable radio executive who finds himself competing for the affections of his step-children following the unexpected reappearance of his wife’s ex-husband (Mark Wahlberg). (PG-13 – 96 minutes)

“Daddy’s Home” is a hilarious almost-family-friendly comedy. Its best bits are the ones that overstep the line and make parents who have brought their young children to see it wonder if they will soon be regretting that decision while its worst ones are those that play it safe and cater to said parents. Will Ferrell is funnier than normal, playing the everyday guy here as opposed to some over-the-top caricature. But Mark Wahlberg is the true star, generating the largest laughs while also traversing a nice character arc that culminates with a finale that is as riotous as it is touching. (Thumps Up!)

‘The Hateful Eight’

In post-Civil War Wyoming, bounty hunters try to find shelter during a blizzard but get involved in a plot of betrayal and deception. Stars include Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Tim Roth, Michael Madsen, Bruce Dern, Demian Bichir and Channing Tatum. (R – 168 minutes)

“The Hateful Eight” delivers the most dynamite dialogue of the entire year, creating a compelling, comical and most of all clever production that is quite truly unlike any other movie you have ever seen. It starts off somewhat slow and builds to a second half that is forceful, electrifying and violent beyond belief. Writer/director Quentin Tarantino assembled the perfect cast to put on such a spectacular and stirring presentation with Jennifer Jason Leigh giving the best performance by any actor in all of 2015. This is more than a movie; it is an experience – especially if seen during its road-show run that includes an overture, intermission and 70mm picture. (Breakthrough!)

‘Joy’

Jennifer Lawrence plays a woman who founds a business dynasty and becomes a matriarch in her own right. Betrayal, treachery, the loss of innocence and the scars of love pave the road as she becomes a true boss of family and enterprise facing a world of unforgiving commerce. (PG-13 – 124 minutes)

“Joy” is a sincerely inspiring motion picture packed with powerhouse performances. Jennifer Lawrence has never been better while her co-stars Robert De Niro and Bradley Cooper – who also shared the screen with her in writer/director David O. Russell’s previous film “Silver Linings Playbook” – are also on their A-game. The story still slightly suffers from the sporadicity that seems to plague Russell’s projects – none more so than “American Hustle” – but it is less troublesome than usual, allowing the audience to feel the weight of the emotion experienced by Lawrence’s character. Seeing her treated so poorly will break your heart; seeing her overcome it will put it back together again better than before. (Thumbs Up!)

Breakthrough Entertainment celebrates Christmas – and the release of “Star Wars: Episode VII – The Force Awakens.” “The Chew’s” Carla Hall bakes up a batch of her favorite Christmas cookies, “Home and Family’s” Mark Steines imparts his holiday entertaining expertise, Scooptacular’s Nindi Wadhwa brings by a few festive flavors of ice cream and Santa Claus previews his upcoming sleigh ride around the world. Other guests include actor Owen Wilder Vaccaro (“Daddy’s Home”) and actor/musician Henry Rollins (“He Never Died”). “The Danish Girl,” “Extraction” and “Youth” are among the other films featured. (Download MP3)

Segment 1 – Host Chat: Santarchy Recap, Joseph’s Christmas Card and Mexican Hot Chocolate Dandies

Segment 2 – Review: “Star Wars: Episode VII – The Force Awakens”

Segment 3 – Reviews: “The Danish Girl,” “Extraction” and “Youth”

Segment 4 – Interview: Celebrity Chef Carla Hall (Gingersnaps and Pecan Shortbread Cookies)

Segment 5 – Interview: Actor Owen Wilder Vaccaro (“Daddy’s Home”)

Segment 6 – Interview: Actor/Musician Henry Rollins (“He Never Died”)

Segment 7 – Interview: Nindi Wadhwa (Scooptacular)

Segment 8 – Interview: Entertaining Expert Mark Steines (“Home and Family”)

Segment 9 – Interview: Santa Claus

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Dec. 18 are a drama in which Eddie Redmayne plays a transgender pioneer, the highly anticipated new entry in the “Star Wars” franchise and a drama in which Michael Caine and Harvey Keitel play men who reflect on their past.

‘The Danish Girl’

Eddie Redmayne plays an artist whose marriage and work evolve as she navigates a groundbreaking journey as a transgender pioneer. Alicia Vikander also stars. (R – 120 minutes)

“The Danish Girl” is a beautifully heartbreaking motion picture that features two truly fine performances that are among the best of the year. Star Eddie Redmayne, who wowed as Stephen Hawking in last year’s “The Theory of Everything,” is absolutely exceptional, seamlessly transforming from man to woman before our very eyes while Alicia Vikander communicates more with facial expressions and body language than most actors do with words. The new drama is deeply moving, drawing viewers into a love story that is unlike any other and able to impact, enlighten and inspire. (Thumbs Up!)

‘Extraction’

Kellan Lutz plays a government analyst who launches an unsanctioned rescue operation when his father (Bruce Willis) is kidnapped by a terrorist group. While evading highly skilled operatives, deadly assassins and international terrorists, he finally puts his combat training to the test in a high stakes mission to find his father and to stop a terrorist plot. (R – 100 minutes)

“Extraction” is as flat and emotionless as Gina Carano’s acting. Granted, there are a few fight sequences that may excite some viewers but it is an otherwise utterly lifeless actioner. One will wonder why Bruce Willis would have ever signed on to appear in such a generic flick. It could not possibly have been the screenplay as the motion picture’s plot is preposterous – and gets even more so with each passing minute. As a result, most moviegoers will likely be unable to care less about the characters let alone their mundane mission. (Thumbs Down!)

‘He Never Died’

Henry Rollins plays a social outcast who is thrust out of his comfort zone when the outside world bangs on his door and he cannot contain his violent past. (NR – 97 minutes)

As a movie, “He Never Died” might leave a lot to be desired. But as a showcase for star Henry Rollins, it is sheer dynamite, giving the actor a chance to really sink his teeth into a grim character. Rollins brings a coolness and sharp wit to a man about which we know very little, encouraging us to become extremely intrigued. Having said that, the film’s tone is about as emotionless as its apathetic protagonist, which rubs off on the viewer and does not exactly make for the most exciting ride. Interest eventually wanes, causing the conclusion to be a bit of a blur, but Rollins’ dark depiction deserves to be seen. (Thumbs Up!)

‘Star Wars: Episode VII – The Force Awakens’

Harrison Ford reprises his role of Han Solo who, accompanied by allies old and new, faces a new threat from the evil Kylo Ren (Adam Driver) and his army of Stormtroopers. Carrie Fisher is among the other returning actors while newcomers include John Boyega, Daisy Ridley, Oscar Isaac and Domhnall Gleeson. (PG-13 – 136 minutes)

“Star Wars: Episode VII – The Force Awakens” is a tad too thin on story – especially for a film that extends beyond the two-hour mark. Having said that, the elements are entertaining enough with the new BB-8 droid being the best and most universally appreciated aspect. Franchise fans are likely to be too star-struck to notice the flick’s flaws and familiarity to its preceding installments but those who have yet to see the appeal will probably remain relatively apathetic about it. If not for the unreasonably massive hype, the average moviegoer may actually enjoy the ride. (Thumbs Up!)

‘Youth’

Michael Caine plays an acclaimed composer and conductor who is vacationing in the Swiss Alps with his best friend (Harvey Keitel), a renowned filmmaker. While the filmmaker scrambles to finish the screenplay for what he imagines will be his last important film, the composer has no intention of resuming his musical career. The two men reflect on their past, each finding that some of the most important experiences can come later in life. (R – 118 minutes)

Do not be surprised if after watching “Youth” you emerge from the movie theater feeling as though you are older than both Michael Caine and Harvey Keitel combined. The new drama is a torturously slow slog. Even its aesthetic beauty cannot be admired due to the pretentiousness with which it was made. Arthouse snobs may insist it has value but they, too, may find fault with the flick’s sexist and elitist perspectives. If you do not fall asleep while watching it then you will almost certainly become aggravated and outraged at its antiquated ideas. (Thumbs Down!)

Breakthrough Entertainment celebrates Santarchy, featuring some of the craziest Christmas carols this side of the North Pole. Guests include acclaimed food artisan Robert Lambert, “So You Think You Can Dance” contestants JJ, Megz and Hailee and “America’s Got Talent” comedian Piff the Magic Dragon. (Download MP3)

Segment 1 – Stuffing Stockers: Tattapic, LivingPlug INLET and B.T. McElrath Egg Nog Truffles

Segment 2 – Review: “The Ridiculous 6”

Segment 3 – Reviews: “In the Heart of the Sea” and “Don Verdean”

Segment 4 – Interview: Acclaimed Food Artisan Robert Lambert (Fruitcake)

Segment 5 – Interview: JJ, Megz and Hailee (“So You Think You Can Dance”) – Part 1

Segment 6 – Interview: JJ, Megz and Hailee (“So You Think You Can Dance”) – Part 2

Segment 7 – Interview: Actor Ron May (“The Santaland Diaries”)

Segment 8 – Golden Globes Nominations

Segment 9 – Interview: Comedian Piff the Magic Dragon (Rick Bronson’s House of Comedy)

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Dec. 11 are a comedy from “Napoleon Dynamite” writer/director Jared Hess, a true adventure from director Ron Howard and a western starring none other than Adam Sandler.

‘Don Verdean’

Sam Rockwell plays a self-proclaimed Biblical archaeologist who, hired by an ambitious small-town pastor (Will Forte) to find sacred relics in the Holy Land, comes up short and his attempt to cover up his failure fuels a comic conspiracy. Amy Ryan, Jemaine Clement and Danny McBride also star. (PG-13 – 90 minutes)

“Don Verdean” may not be nearly as overt as some of writer/director Jared Hess’s previous motion pictures – especially “Napoleon Dynamite” – but its inherent niceness and moral values make it impossible to dislike. The new comedy has a little bit of a bite when it comes to its satirical approach to religious beliefs but its heart is enormous and its final moments will bring a bright smile to your face. Stars Sam Rockwell and Jemaine Clement are terrific while Hess’s avoidance of a mean-spirited sense of humor is remarkably refreshing. (Thumbs Up!)

‘In the Heart of the Sea’

A whaling ship is preyed upon by a giant whale, stranding its crew at sea for 90 days, thousands of miles from home. Stars include Chris Hemsworth, Cillian Murphy and Brendan Gleeson. (PG-13 – 121 minutes)

“In the Heart of the Sea” is director Ron Howard’s worst motion picture – a failure as colossal as the whale featured in the film itself. The new true adventure flick is beyond boring, getting exponentially worse as it goes on until only a few of the remaining viewers who have not gotten up to leave the theater are left with their eyes still open. The whale is a somewhat entertaining creature but its screentime is reduced to mere minutes in a more than two-hour movie that consists mostly of full dialogue between uninteresting characters. (Thumbs Down!)

‘The Ridiculous 6’

Adam Sandler plays an outlaw who, raised by Native Americans, discovers that he has five half-brothers. Together the men go on a mission to find their wayward, deadbeat dad. Terry Crews, Jorge Garcia, Taylor Lautner, Rob Schneider and Luke Wilson also star. (NR – 100 minutes)

“The Ridiculous 6” is star Adam Sandler’s best movie in years. However, if you go in expecting a straight-forward comedy, you may be a bit disappointed – especially since the new flick starts off somewhat slow. Granted, it is a comedy and features a mix of the juvenile jokes of Sandler’s recent ventures and the more organic gags of his past projects, but the film could better be described as a western with comedic elements as it is far more dependent on its story than you might expect. One way or the other, though, its cast is incredible. (Thumbs Up!)

Coinciding with the release of “Krampus,” Breakthrough Entertainment presents Songs Made Scary by Horror Movies: Christmas Edition. Writer/director Mitch Davis and composer Christian Davis discuss their festive new film “Christmas Eve” while actress Jen Lilley previews her new holiday album “Tinsel Time” and TV movie “The Spirit of Christmas.” Other guests include director Khoa Le (“Walt Before Mickey”) and actress Judi Evans (“Days of Our Lives”) while “A Very Murray Christmas,” “Legend” and “The Good Dinosaur” are among the other films featured. (Download MP3)

Segment 1 – Stuffing Stockers: Glass Slipperz and Pop Works

Segment 2 – Review: “Krampus”

Segment 3 – Reviews: “The Good Dinosaur,” “Legend” and “A Very Murray Christmas”

Segment 4 – Interview: Writer/Director Mitch Davis and Composer Christian Davis (“Christmas Eve”)

Segment 5 – Interview: Director Khoa Le (“Walt Before Mickey”)

Segment 6 – Interview: Actress Judi Evans (“Days of Our Lives”)

Segment 7 – Interview: Actress Jen Lilley (“Tinsel Time” and “The Spirit of Christmas”)

Segment 8 – Interview: Actress Katie McFadzen (“A Christmas Carol”)

Segment 9 – Budget Bistro: Chicken Soup

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Dec. 4 are three Christmas movies – an ensemble dramedy, a horror comedy and a star-studded special.

‘Christmas Eve’

When a power outage traps six different groups of New Yorkers inside elevators on Christmas Eve, they find laughter, romance and a little holiday magic will get them through – and change their lives in unexpected ways. Stars include Patrick Stewart, Jon Heder, Cheryl Hines and Gary Cole. (PG – 96 minutes)

“Christmas Eve” – much like the holiday itself – is about human connection and how people change people. While most holiday films focus on families, writer/director Mitch Davis instead centers his story on strangers or, at the very least, characters whose association with one another is ordinarily quite minimal. However, when a power outage traps them together inside of various elevators around New York City, they quickly discover the impact a few hours of communion – or, in one character’s case, isolation – can have on their lives. The film features an excellent ensemble cast and some truly touching conversations that encourage genuine introspection. (Thumbs Up!)

‘Krampus’

Emjay Anthony plays a young boy who, when his dysfunctional family clashes over the holidays, is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus – a demonic force of ancient evil intent on punishing non-believers. Toni Collette, Adam Scott and David Koechner also star. (PG-13 – 100 minutes)

We have finally got a new Christmas classic and its name is “Krampus.” Granted, it is a bit different than your typical holiday fare. The movie is scarier, darker and significantly more cynical than, say, “The Polar Express.” But the new horror comedy reflects the reason for the season every bit as perfectly as past motion pictures that have become annual traditions. In addition to scaring the naughty out of its viewers while providing plenty of opportunities for relief from the festive ferocity in the form of laughter, it features a few heartfelt moments and an admirable message about how the holiday spirit just ain’t what it used to be. (Thumbs Up!)

‘A Very Murray Christmas’

Bill Murray worries that nobody will show up to his holiday special due to a massive snowstorm in New York City. Through luck and perseverance, guests arrive at Gotham’s Carlyle Hotel to help him – dancing and singing in holiday spirit. Co-stars include George Clooney, Miley Cyrus, Amy Poehler, Michael Cera, Chris Rock, Maya Rudolph, Jason Schwartzman and Rashida Jones. (NR – 56 minutes)

Only the pairing responsible for the 2003 snoozefest “Lost in Translation” could make Christmas such a boring affair. Filmmaker Sofia Coppola and actor Bill Murray reteam for “A Very Murray Christmas,” a holiday film/special hybrid. And although the project briefly shines brightly during what is essentially a dream sequence (starring George Clooney and Miley Cyrus), it is mostly a morose monstrosity that is not the least bit merry. You are more likely to fall asleep or slit your own wrists than laugh, dance or feel the least bit uplifted by this exceptionally sad presentation. (Thumbs Down!)

Breakthrough Entertainment highlights this holiday season’s hottest gifts. (Download MP3)

Segment 1 – Seasonal Souvenirs

New Mexico Pinon Coffee, Rold Gold Holiday Dipped Pretzels, Teleflora, Tipsy Elves Sweaters and Topperfino

Segment 2 – Spectacular Spirits

Bacon Jam, Bulldog Gin, LEAF Organic Vodka, Ludlows Cocktails Jelly Shots, SIA Scotch Whiskey and Woodbridge by Robert Mondavi Harvest Spiced Red Blend

Segment 3 – Fashionable Favors

Chrysmela Catch Earring Locks, Curioso Cuff, Ladybug Fortune Cookies, Pacific Shaving Company Caffeinated Shaving Cream and Aftershave and TV Head Wooden Bowtie and Wallet

Segment 4 – Comfy Concepts

Bakery on Main Nut Crunch, Hydraluxe Cooling Gel Pillow from Comfort Revolution, Lark and Leaf Tea, Sparkle Fly Sparkle Stones and Wellness Mat

Segment 5 – Physical Phenomenons

Peeled Snacks, PowerWrapz, RunPhones and York Nordic Walking Poles

Segment 6 – Camping Quintessentials

Eagles Nest Outfitters Sub7 Hammock, Energizer Headlight, Heat Holders Socks, HouseOfJerky.Net and Znzi Travel Pillow

Segment 7 – Smart Sensations

AppLights, HelloFresh, Ring, SmarTVoke and Taylor Bluetooth Body Fat Smart Scale

Segment 8 – Practical Presents

Annie B’s Caramels, Hang-O-Matic, Mason Jars reCAP and MultiFlask

Segment 9 – Avant-Garde Gifts

Chia Pets, Coolhaus Ice Cream, TVStoreOnline.com, Wowflute and xSense

Full Show (Segments 1-9)

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Breakthrough Entertainment celebrates Thanksgiving. A Butterball Turkey Talk-Line representative bastes the bird as chef Eric Reinart serves some scrumptious mashed potatoes and gravy without breaking the bank. Dinner guests include director Jackie Earle Haley (“Criminal Activities”) and actor Simon Pegg (“Man Up”). Films featured include “The Night Before.” (Download MP3)

Segment 1 – Opening/Boulder Canyon Thanksgiving Flavored Potato Chips

Segment 2 – Review: “The Night Before”

Segment 3 – Reviews: “The 33” and “The Hunger Games: Mockingjay – Part 2”

Segment 4 – Interview: Charla Draper (Butterball Turkey Talk-Line)

Segment 5 – Interview: Actor Elijah Alexander (“Disgraced”)

Segment 6 – Review: “Criminal Activities”/Interview: Director Jackie Earle Haley (“Criminal Activities”)

Segment 7 – Review: “Man Up”/Interview: Actor Simon Pegg (“Man Up”)

Segment 8 – Interview: Arlene Newman-Van Asperen and Steve Wargo (“10 Minutes” and “Poison Sky”)

Segment 9 – Closing/Budget Bistro: Thanksgiving Edition

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Nov. 20 is a crime thriller starring John Travolta and Jackie Earle Haley, a romantic comedy starring Simon Pegg and Lake Bell and a Christmas comedy starring Seth Rogen, Joseph Gordon Levitt and Anthony Mackie.

‘Criminal Activities’

Four friends stumble into a deal too good to refuse. But when the investment goes bad, they learn that part of their funding came from a notoriously ruthless crime boss (John Travolta) and it’s payback time. Now, they must successfully kidnap a family member of a rival kingpin in order to erase the life-threatening debt. (NR – 94 minutes)

There will undoubtedly be a lot of talk – for better or for worse – about the sideswiping third-act twist in “Criminal Activities.” Regardless of your particular perception of said sudden turn of events, the highlight of the new thriller is Jackie Earle Haley’s direction as the actor demonstrates with an exciting style and admiration of the genre his abilities as a filmmaker. The extreme energy and dark comedy is reminiscent of Quentin Tarantino’s greatest works while Haley ensures that both his cast and his audience have an absolute blast from beginning to end. (Thumbs Up!)

‘Man Up’

Lake Bell plays a woman who is mistaken as a man’s (Simon Pegg) bind date and goes with it. It is going to take a night of pretending to be someone else for her to finally man up and be her painfully honest, awesomely unconventional self. But will he also man up and be able to get over her duplicity? (NR – 87 minutes)

“Man Up” is a cleverly self-aware romantic comedy that pokes fun at the genre’s tropes while also playing by the rules that make such movies so enjoyable and serving up several surprises along the way. Stars Simon Pegg and Lake Bell have a natural charisma – both romantic and comedic – that propels the film forward but it is the smart story that engages viewers’ hearts and funny-bones. The culmination of it all – the quintessential grand gesture scene that has Pegg running through the streets accompanied by a crowd of young partiers – will leave you with a lasting smile on your face and an exorbitantly optimistic outlook on love. (Thumbs Up!)

‘The Night Before’

Joseph Gordon-Levitt, Seth Rogen and Anthony Mackie play friends whose yearly Christmas Eve reunion has been an annual night of debauchery and hilarity. Now that they are entering adulthood, the tradition is coming to an end. And to make it as memorable as possible, they set out to find the Nutcracka Ball – the Holy Grail of Christmas parties. (R – 101 minutes)

“The Night Before” is one crazy Christmas party that will occasionally offend you, periodically cause laughter to the point of tears and sometimes even sincerely move you. That balancing act that earns it a place on both of Santa’s lists – naughty and nice – is its greatest attribute. Granted, the new holiday comedy is a far cry from your favorite Christmas classics of yesteryear and its particular brand of humor may hinder some viewers’ enjoyment, but it is also a fun and festive film that enlightens us to live in the moment rather than mourning the past or fearing the future. (Thumbs Up!)

Ahead of the lighting of the tallest Christmas tree in the nation at the Outlets at Anthem, Breakthrough Entertainment speaks with the event’s performers ASU Pitchforks, Just Seconds Apart and Maggie Rose. Films featured include “Brooklyn,” “Heist,” “I Smile Back,” “Love the Coopers” and “My All American.” (Download MP3)

Segment 1 – Interview: ASU Pitchforks

Segment 2 – Interview: Just Seconds Apart

Segment 3 – Outlets at Anthem Christmas Tree Lighting Preview

Segment 4 – Interview: Maggie Rose

Segment 5 – Review: “Love the Coopers”

Segment 6 – Review: “My All American”

Segment 7 – Reviews: “Brooklyn,” “I Smile Back” and “My All American”

Segment 8 – Tricia’s Spa Spotlight (Part 1)

Segment 9 – Tricia’s Spa Spotlight (Part 2)

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Nov. 13 is period drama set in 1950s America, a Christmas-themed ensemble dramedy and a football flick from the writer of “Rudy” and “Hoosiers.”

‘Brooklyn’

Saoirse Ronan plays a young Irish immigrant who, lured by the promise of 1950s America, departs Ireland and the comfort of her mother’s home for the shores of New York City. The initial shackles of homesickness quickly diminish as a fresh romance sweeps her into the intoxicating charm of love. But soon, her new vivacity is disrupted by her past and she must choose between two countries and the lives that exist within. (PG-13 – 111 minutes)

“Brooklyn” is classic and emotionally nuanced storytelling at its very best. The new period drama is both beautiful to look at as its tale is enjoyable to experience. Its romance extends far beyond star Saoirse Ronan’s character’s courtship, also emanating from her view of the city and what it represents. Ronan gives a grand performance as does her co-star Emory Cohen, creating an old-fashioned piece of filmmaking that engages mind, heart and soul from beginning to end. This is truly one of the most poetic motion pictures of 2015, affecting and satisfying on several levels. (Thumbs Up!)

‘Heist’

Jeffrey Dean Morgan plays a father who, without the means to pay for his daughter’s medical treatment, partners with a greedy co-worker (Dave Bautista) to rob a casino owned by a feared gangster (Robert De Niro). When things go awry, they are forced to hijack a city bus. (R – 90 minutes)

“Heist” is the kind of movie that frustrates you time and time again due to its incredibly implausible plot points that lie around each and every corner. The first few absurdities may make you want to scream at the screen. But before long, the action overwhelms your sense of reason and you simply go along for the exceptionally entertaining ride. Not since “Speed” have moviegoers had this much fun on a bus. Gina Carano continues to exhibit a complete lack of acting abilities but, aside from that, stars Jeffrey Dean Morgan, Dave Bautista and Robert De Niro deliver non-stop excitement that will have your heart pumping vigorously and your brain on vacation. (Thumbs Up!)

‘I Smile Back’

Sarah Silverman plays a married woman with kids who takes the drugs she wants, sleeps with the men she wants and disappears when she wants. With the destruction of her family looming and temptation everywhere, she makes one last desperate attempt at redemption. (R – 85 minutes)

“I Smile Back” is a deeply depressing drama, showcasing a fine performance from star Sarah Silverman and a tragic tale of a woman unable to escape a cycle of poor choices and behaviors. The new movie demonstrates that Silverman is more than just a comedian; she is also a tremendously talented actress who brings authentic life to a magnificently melancholy character. Her portrayal is particularly tough to watch since she spirals the drain over and over again but it is a story of supreme significance and one that will hold you completely captive. (Thumbs Up!)

‘Love the Coopers’

Four generations of extended family come together for their annual Christmas Eve celebration. As the evening unfolds, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday. (PG-13 – 106 minutes)

“Love the Coopers” culminates with some very touching sentiments that will likely resonate with and bring a tear to the eyes of moviegoers who cannot help but become nostalgic this time of the year. After all, the new ensemble Christmas dramedy makes some very poignant observations about how the holidays trigger emotional remembrances of celebrations past. Unfortunately, a lot of what leads up to said sentimental scenes consists of annoying bickering, contrived melodrama and boorish grand gestures. Nonetheless, commemorating the season’s significance with the tremendously talented cast whose stories reflect our own remains relatively enjoyable. (Thumbs Up!)

‘My All American’

Finn Wittrock plays an underdog on the gridiron who faces the toughest challenge of his life after leading his team to a championship season. Aaron Eckhart, Sarah Bolger and Robin Tunney also star. (PG – 118 minutes)

“My All American” will not only make you stand up and cheer; it will also rejuvenate your hope. The new football flick from the writer of “Rudy” and “Hoosiers” is much more about the human spirit than it is about the sport. Granted, there are plenty of scenes set on the field that will energize genre fans but it is the story’s heart that will resonate with most moviegoers – and make them a crying wreck as they walk out of the theater. It is a charmingly old fashioned and extremely emotional movie that encourages you to never ever give up. (Thumbs Up!)

Breakthrough Entertainment celebrates the release of “Spectre,” the 50th anniversary of “Days of Our Lives” and the kickoff of its Countdown to Christmas. Guests include author Paul Simpson (“Bond vs. Bond: The Many Faces of 007”), “Days of Our Lives” cast members Patrika Darbo and Judi Evans, Sallyann Martinez (Outlets at Anthem’s Christmas Tree Lighting) and conductor Richard Shelton (Arizona Winds Concert Band). (Download MP3)

Segment 1 – Opening

Segment 2 – Review: “Spectre”

Segment 3 – Interview: Author Paul Simpson (“Bond vs. Bond: The Many Faces of 007”)

Segment 4 – Interview: Actress Patrika Darbo (“Days of Our Lives”)

Segment 5 – Interview: Actress Judi Evans (“Days of Our Lives”)

Segment 6 – Interview: Sallyann Martinez (Outlets at Anthem’s Christmas Tree Lighting)

Segment 7 – Interview: Conductor Richard Shelton (Arizona Winds Concert Band)

Segment 8 – Dave’s Destinations: Affordable Care Act

Segment 9 – Closing

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Nov. 6 is the 24th installment in the James Bond franchise.

‘Spectre’

Daniel Craig reprises his role of James Bond who receives a cryptic message from his past that sends him on a trail to uncover a sinister organisation. While M (Ralph Fiennes) battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind Spectre. (PG-13 – 150 minutes)

The heart-pounding opening scene of “Spectre” – an extravagant Day of the Dead set-piece – is worth the price of admission in and of itself. And that is merely a small fraction of the two-and-a-half-hour 24th installment in the James Bond film franchise. Granted, there are certainly several moments of downtime during the new movie and the story is quite complicated as it attempts to close out the Daniel Craig-era in the 007 saga but the basic formula that has made the series such a success is still there and the explosive action sequences are more than enough to keep audiences on the edge of their seats. (Thumbs Up!)

Breakthrough Entertainment celebrates Halloween, coinciding with the release of “Scouts Guide to the Zombie Apocalypse.” The gruesome guest guest list includes Matt Mogk (Zombie Research Society), actress E.G. Daily (“31”), actor Ray Santiago (“Ash vs. Evil Dead”), actress Juliet Landau (“Buffy the Vampire Slayer” and “Angel”) and director Axelle Carolyn (“Tales of Halloween”). (Download MP3)

Segment 1 – Opening/Zombie Walk/Halloween Crawl

Segment 2 – Review: “Scouts Guide to the Zombie Apocalypse”

Segment 3 – Interview: Matt Mogk (Zombie Research Society)

Segment 4 – Interview: E.G. Daily (“31”)

Segment 5 – Interview: Actor Ray Santiago (“Ash vs. Evil Dead”)

Segment 6 – Interview: Civil Rights Attorney Dorris Markovic (Hal-LAW-een)

Segment 7 – Interview: Actress Juliet Landau (“Buffy the Vampire Slayer” and “Angel”)

Segment 8 – Interview: Director Axelle Carolyn (“Tales of Halloween”)

Segment 9 – Closing/Halloween Plans

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Oct. 30 is a coming-of-age zom-com.

‘Scouts Guide to the Zombie Apocalypse’

Tye Sheridan, Patrick Schwarzenegger and Logan Miller play scouts who, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak. (R – 93 minutes)

“Scouts Guide to the Zombie Apocalypse” is an obscenely funny comedy that manages to simultaneously scare and even offer up some mildly moving coming-of-age moments. Granted, there are plenty of low blows in the new flick but they all result in fits of laughter and leave viewers with goofy grins spread across their faces. The movie is a rip-roaring ride from beginning to end, never letting its foot off the gas as it splatters blood and body parts in every conceivable direction. Its surprisingly large – and still-beating – heart is what sets it apart and brings it to life, though, touching as well as it tickles and terrifies. (Thumbs Up!)

Breakthrough Entertainment’s Halloween Spooktacular continues with Songs Made Scary by Horror Movies V. The ghostly guest list includes actor Chris Murray (“Paranormal Activity: The Ghost Dimension”), Tim Pugsley (13th Floor and Fear Farm), composer Mac Quayle (“American Horror Story” and “Scream Queens”), actor Sid Haig (“Bone Tomahawk”) and R.J. Price (Zombie Walk). (Download MP3)

Segment 1 – Opening/Arrival of the Outlet at Anthem Christmas Tree

Segment 2 – Review: “Paranormal Activity: The Ghost Dimension”

Segment 3 – Interview: Actor Chris Murray (“Paranormal Activity: The Ghost Dimension”)

Segment 4 – Tim Pugsley (13th Floor and Fear Farm)

Segment 5 – Interview: Composer Mac Quayle (“American Horror Story and Scream Queens”)

Segment 6 – Interview: Actor Sid Haig (“Bone Tomahawk”)

Segment 7 – Review: “Bone Tomahawk”

Segment 8 – Interview: RJ Price (Zombie Walk)

Segment 9 – Closing/Preview of Breakthrough Entertainment’s Halloween Special

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Oct. 23 are a western about an unlikely team of gunslingers who set out to rescue settlers who have been kidnapped by a group of cannibal savages and the final installment in the “Paranormal Activity” film franchise.

‘Bone Tomahawk’

Kurt Russell, Richard Jenkins, Patrick Wilson and Matthew Fox play an unlikely team of gunslingers who set out to rescue settlers who have been kidnapped by a group of cannibal savages. Their enemy is more ruthless than anyone could have imagined, though, putting their mission – and their survival – in serious jeopardy. (NR – 133 minutes)

If one were setting out to rescue someone who had been kidnapped by a group of cannibalistic savages, they would likely do so with at least some sense of urgency. That urgency is precisely what is missing from “Bone Tomahawk,” a new western that sees its characters mosey along the frontier and engage in conversations about how one can read a book in the bathtub while on their way to rescue people who are almost certain to have become someone’s breakfast, lunch and dinner by the time they arrive. The cast is exceptional but the pacing is a real killer, quickly consuming your patience. (Thumbs Down!)

‘Paranormal Activity: The Ghost Dimension’

Chris J. Murray plays a father who find tapes of young Katie (Chloe Csengery) and Kristi (Jessica Tyler Brown) being taught supernatural abilities by their grandmother as well as a camera which can see paranormal phenomena that the human eye cannot see. When his daughter (Ivy George) is targeted by supernatural forces, he must find a way to protect her before it is too late. (R – 84 minutes)

“Paranormal Activity: The Ghost Dimension” is easily the best installment in the horror film franchise that began in 2007 and is supposedly now coming to a close. Granted, that may not be saying much given the five previous entries’ tendency to bore more often than thrill. However, this time moviegoers are finally able to see the source of the strange occurrences which, working hand-in-hand with the “Paranormal Activity” brand’s trademark found-footage execution increases the creepiness, retains the audience’s attention and sends the series out with a very loud bang – as well as several quintessential screams. (Thumbs Up!)

Breakthrough Entertainment’s Halloween Spooktacular continues, coinciding with the releases of “Goosebumps” and “Tales of Halloween.” The grisly guest list includes director Darren Lynn Bousman (“Tales of Halloween”), Bill Tomalchoff (Arizona Field of Screams) and actress Sarah Butler (“I Spit on Your Grave III: Vengeance is Mine”) while “Bridge of Spies,” “Steve Jobs” and “Woodlawn” are among the other films featured. Plus, Mackenzie Miller stops in-studio to preview the Arizona State Fair and provide a taste-test of this year’s selection of deep-fried foods. (Download MP3)

Segment 1 – Opening/Phone Scammers/Noodles and Company

Segment 2 – Reviews: “Goosebumps” and “Tales of Halloween”

Segment 3 – Interview: Director Lynn Bousman (“Tales of Halloween”)

Segment 4 – Bill Tomalchoff (Arizona Field of Screams)

Segment 5 – Reviews: “Bridge of Spies,” “Steve Jobs” and “Woodlawn”

Segment 6 – Interview: Actress Sarah Butler (“I Spit on Your Grave III: Vengeance is Mine”)

Segment 7 – Interview: Mackenzie Miller (Arizona State Fair) – Part 1

Segment 8 – Interview: Mackenzie Miller (Arizona State Fair) – Part 2

Segment 9 – Closing/Interview: Mackenzie Miller (Arizona State Fair) – Part 3

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Oct. 16 are a Cold War drama starring Tom Hanks, a family-friendly fright-fest starring Jack Black and a Halloween anthology featuring ten terrifying tales.

‘Bridge of Spies’

Tom Hanks plays an American attorney tasked with negotiating the release of a U-2 spy plane pilot who was shot down over Russia at the height of the Cold War. (PG-13 – 135 minutes)

“Bridge of Spies” is an astutely absorbing motion picture. Director Steven Spielberg’s new movie can easily be divided into two halves – the first being a fascinating legal drama and the second being a suspenseful enemy-territory-set thriller. Both halves are distinctly different but equally compelling as they provide a history lesson that is as intelligent as it is entertaining. Although Tom Hanks is the bankable star who rises to the occasion by embodying the perfect balance of anxiety and audacity during said second half, it is Mark Rylance who immediately steals the show in a film that is as challenging as it is rewarding. (Thumbs Up!)

‘Goosebumps’

Dylan Minnette plays a teenager who meets the daughter (Odeya Rush) of author R. L. Stine (Jack Black). When he unintentionally unleashes the monsters from their manuscripts, they begin to terrorize the town and it is suddenly up to the trio to get all of them back in the books where they belong. (PG – 103 minutes)

“Goosebumps” moves along at a chaotically fast pace, providing monstrous amusement for audiences of all ages. The new family-friendly fright-fest hits the ground running as it desperately attempts to pack as many of R.L. Stine’s creepy creations from the author’s popular book series into a single story as possible, much to the delight of fans who grew up reading said source material. Star Jack Black may not have been the ideal choice to portray Stine as he comes across as more abrasive than bizarre, but the fun fusion of humor and horror remains excessively entertaining. (Thumbs Up!)

‘Steve Jobs’

Michael Fassbender plays the brilliant man at the epicenter of three iconic product launches, ending in 1998 with the unveiling of the iMac. Kate Winslet, Seth Rogen and Jeff Daniels also star. (R – 122 minutes)

Much like screenwriter Aaron Sorkin’s “Moneyball” made moviegoers who were not sports aficionados yawn, “Steve Jobs” will likely be a chore to sit through for moviegoers who are not computer savvy. After all, the new biopic is essentially a three-act set piece populated with dialogue that will make even Apple Genius’ heads spin. Said dialogue is incredibly quick-witted, though, and even viewers who are unable to keep up with the hyperactive carousel that evolves before their eyes will be find the film fascinating. Star Michael Fassbender is great in the title role but it is his co-star Kate Winslet who may be most deserving of recognition come year’s end. (Thumbs Up!)

‘Tales of Halloween’

Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents. (NR – 92 minutes)

“Tales of Halloween” very well may be the best horror anthology of all time. The new movie, which is a collection of 10 vignettes directed by different filmmakers, succeeds where so many others have failed because of its thematic and systemic cohesion. Each story stands on its own as a devilishly delightful Halloween fairy tale while also giving subtle nods to one another. Darren Lynn Bousman’s “The Night Billy Raised Hell” is the best of the bunch but Dave Parker’s “Sweet Tooth” and Neil Marshall’s “Bad Seed” are also clear winners in a Halloween haul that is full of tricks and treats and certain to become a holiday tradition. (Breakthrough!)

‘Woodlawn’

Nic Bishop plays a high school football coach who, in 1973, leads his team – fueled by its dedication to love and unity in a school filled with racism and hate – to make an astounding run at the playoffs. (PG – 123 minutes)

Andrew and Jon Erwin have become quite the reliable filmmakers, having delivered to viewers the life-affirming “October Baby” and the exceptionally entertaining “Mom’s Night Out.” However, that winning streak encounters its first speed-bump with their latest project “Woodlawn.” The new sports drama is edited together like a 2-hour trailer, boasting epic Christian music, heavy-handed speeches and other manipulation techniques that try too hard to sell moviegoers on a story for which they have already purchased a ticket. Its motivations and messages are admirable but its execution is excessive and exhausting. As a result, the movie is unable to make it to even the 10-yard line before fumbling. (Thumbs Down!)

Breakthrough Entertainment’s Halloween Spooktacular continues, coinciding with the releases of “The Final Girls” and “Knock Knock.” The ghastly guest guest list includes Jackson Keith (Jack and Jill’s Haunted Hill), actress Blair Bomar (“From Dusk Till Dawn”), actress Jeannine Kaspar (“Freeheld”) and actor Hershey Felder (Irving Berlin). (Download MP3)

Segment 1 – Opening/Dave’s Birthday

Segment 2 – Reviews: “The Final Girls” and “Knock Knock”

Segment 3 – Halloween Host Chat

Segment 4 – Jackson Keith (Jack and Jill’s Haunted Hill)

Segment 5 – Actress Blair Bomar (“From Dusk Till Dawn”)

Segment 6 – Reviews: “Pan” and “Freeheld”

Segment 7 – Interview: Actress Jeannine Kaspar (“Freeheld”)

Segment 8 – Interview: Actor Hershey Felder (Irving Berlin)

Segment 9 – Closing/Centennial High School Haunted House

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Oct. 10 are a comedic horror flick that pulls its viewers into an 80’s slasher, a thriller in which Keanu Reeves answers a door that should have never been opened and a fantasy flick that gives the classic character of Peter Pan the prequel treatment.

‘The Final Girls’

Taissa Farmiga plays a young woman who, grieving the loss of her mother (Malin Akerman) – a famous scream queen from the 1980s – finds herself pulled into the world of her mom’s most famous movie. Reunited, the women must fight off the film’s maniacal killer. (PG-13 – 88 minutes)

“The Final Girls” is a killer comedy – both literally and figuratively. The new horror flick will have genre fans squealing with fright and delight as it takes a meta-approach to its story, paying homage to 80’s slasher films like “Friday the 13th” as much as it lampoons them. Leaps and bounds better than the obnoxiously overrated “Cabin in the Woods,” director Todd Strauss-Schulson’s thriller operates on an infectious energy that quickly designates a savvy set of rules inspired by classic tropes and then takes full advantage of them, serving up simultaneous laughs and screams all the way through to its incredibly clever conclusion. (Thumbs Up!)

‘Freeheld’

Julianne Moore plays a decorated New Jersey police detective who is diagnosed with cancer and wants to leave her hard earned pension to her domestic partner (Ellen Page). However, the county officials conspire to prevent her from doing this. (PG-13 – 103 minutes)

“Freeheld” is sufficiently affecting and features yet another performance that is among star Julianne Moore’s absolute best. The actress’s portrayal of a woman dying from cancer and desperate to ensure that the woman she loves will be taken care of is genuinely heart-wrenching. Having said that, the new drama’s sentimental yarn gets somewhat tangled in the gay rights threads that surround it. That aspect of the story is certainly moving but significantly drier than the rest. We feel the passion and importance of it all yet, juxtapositioned with the images of a woman taking her final breaths, its magnitude is weakened. (Thumbs Up!)

‘Knock Knock’

Keanu Reeves plays a devoted husband and father who is left home alone for the weekend. When two stranded young women (Lorenza Izzo and Ana de Armas) unexpectedly knock on his door for help, what starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse. (R – 95 minutes)

“Knock Knock” is a tense thriller that will certainly shake you to your core. However, the new flick lacks writer/director Eli Roth’s distinct signature so some viewers – particularly those who, fresh off the filmmaker’s blood-soaked “The Green Inferno” (which also stars Lorenza Izzo), may go in expecting to see Keanu Reeves’s guts spill out all over the screen. Granted, he gets put through the wringer by Izzo and her attractive accomplice Ana de Armas, but his torture is of the psychological and emotional varieties. Nonetheless, it is a hair-raising ride that will discourage you from nonchalantly answering knocks on your door or offering assistance to strangers – especially seductive ones. (Thumbs Up!)

‘Pan’

Levi Miller plays an orphan who is spirited away to the magical Neverland where he finds both fun and dangers, and ultimately discovers his destiny – to become the hero who will be forever known as Peter Pan. Hugh Jackman and Garrett Hedlund also star as Blackbeard and Hook, respectively. (PG – 111 minutes)

“Pan” is ardently adventurous. Younger viewers will be especially enthralled with the new fantasy flick that essentially gives the classic character of Peter Pan the prequel treatment. However, perhaps Disney’s live-action adaptations of their animated catalogue – such as “Maleficent” and “Cinderella” – have spoiled us because, while this Warner Bros. production is undoubtedly entertaining, it still feels as though it fails to live up to the grand expectations that come with the title’s territory. It is overpopulated by unsubtle CGI and the characters with whom we have been familiar since childhood bear absolutely no resemblance to those that inhabit our imaginations. (Thumbs Up!)

Breakthrough Entertainment’s Halloween Spooktacular begins, coinciding with the releases of “A Christmas Horror Story” and “Goodnight Mommy.” The ghoulish guest list includes actor George Buza (“A Christmas Horror Story”), John Eslich (Haunted Attraction Association), actress Leanne Lapp (“iZombie”) and actress Elysia Rotaru (“Arrow”) while “Addicted to Fresno,” “The Martian,” “Mississippi Grind” and “The Walk” are among the other films featured. (Download MP3)

Segment 1 – Opening/Brandon James and a Pair of Clowns

Segment 2 – Reviews: “A Christmas Horror Story” and “Goodnight Mommy”

Segment 3 – Interview: Actor George Buza (“A Christmas Horror Story”)

Segment 4 – John Eslich (Haunted Attraction Association)

Segment 5 – Review: “Sex with Strangers”

Segment 6 – Reviews: “Addicted to Fresno,” “The Martian,” “Mississippi Grind” and “The Walk”

Segment 7 – Interview: Actress Leanne Lapp (“iZombie”)

Segment 8 – Interview: Actress Elysia Rotaru (“Arrow”)

Segment 9 – Closing/Preview of Best of Breakthrough Entertainment: Halloween Edition

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Oct. 2 are a holiday-set horror anthology, a German-language thriller and a cinematic recreation of Philippe Petit’s walk across a wire strung between the World Trade Center towers.

‘Addicted to Fresno’

Judy Greer plays a woman who is fresh out of sex rehab when her younger, overly optimistic lesbian sister (Natasha Lyonne) lands her a job as a maid at a local hotel. When the sex addict jeopardizes her fresh start by accidentally killing a hotel guest after a post-rehab relapse, her sister goes to great lengths to help her cover up the crime. (R – 85 minutes)

“Addicted to Fresno” would likely have been a good film if it had more focus. The new comedy stumbles out of the gate by not giving viewers sufficient backstory into its characters lives. This causes some confusion but that quickly fades once said characters begin attempting to hide the body of the man they have just accidentally killed. The movie is then momentarily amusing but veers into different directions that have less to do with the dead guy than the two unlikeable characters’ erratic escapades. The final nail in the flick’s coffin is the anticlimactic, emotionless ending. (Thumbs Down!)

‘A Christmas Horror Story’

As three friends explore the site of a Christmas Eve massacre, a malevolent spirit is determined to keep them there forever. Meanwhile, one of the first cops to the scene of the murders has new complications as his son exhibits terrifying and violent behavior. And when a local family seeks reconciliation with an estranged aunt, they suddenly find themselves running in terror from Krampus, the demonic anti-Santa Claus. Not even St. Nick is immune to the terror as he fights a horde of zombie elves. (NR – 99 minutes)

It is difficult to determine whether “A Christmas Horror Story” is a perfectly timed Halloween treat or an extra early Christmas gift. Either way, it is wickedly good. The new Christmas-themed horror flick features four stories that are interwoven with one another, occurring simultaneously yet separately. Two of said stories are somewhat generic, with their primary connection to Christmas being timing. However, the other two tales – one tackling the Krampus legend and the other seeing Santa fight a horde of zombie elves – are as festive as they are frightening. And the killer clever ending will have you smiling like a kid on Christmas morning… or Halloween night… whichever holiday fills your trick or treat stocking. (Thumbs Up!)

‘Goodnight Mommy’

Lukas and Elias Schwarz play twin brothers who, in the heat of the summer in a lonesome house in the countryside between woods and corn fields, are waiting for their mother (Susanne Wuest). When she comes home, bandaged after cosmetic surgery, nothing is like before and the boys start to doubt that this woman is actually their mother. (R – 99 minutes)

“Goodnight Mommy” is one of those movies that you appreciate exponentially more once it is over. There are two reasons for this. First of all, while the new German-language horror flick functions primarily on tension and suspense, it also features a few incredibly brutal scenes that may make some moviegoers avert their eyes. But more notably, its ending leaves you psychologically shocked and emotionally distraught. Writers/directors Severin Fiala and Veronika Franz increase the creepy intrigue by minimizing their use of dialogue and drawing out ominous imagery instead. (Thumbs Up!)

‘Mississippi Grind’

Ben Mendelsohn plays a talented poker player who meets a charismatic young traveler (Ryan Reynolds) and convinces him that they should hit the road together. As they gamble their way down South toward a legendary high-stakes poker game in New Orleans, the trip’s highs and lows unveil the duo’s true character and motivation. (R – 108 minutes)

“Mississippi Grind” is less about its characters than the atmosphere that surrounds them. That is a shame considering said characters are played by a pair of truly talented actors – Ben Mendelsohn and Ryan Reynolds. Said stars do their best to bring life to their otherwise stereotypical roles that seemed to have been tailor-made for them but the story simply does not give them enough material to chew on, resigning itself to soaking up the sights and sounds of its settings. Its methodical pace is another problem, making it exceptionally easy for viewers to lose interest and fall fast asleep. You would be better off betting your $10 in a game of craps than spending it on a ticket to see this. (Thumbs Down!)

‘The Walk’

Joseph Gordon-Levitt plays a young dreamer who aspires to achieve the impossible – an illegal wire walk in the immense void between the World Trade Center towers. With little more than nerve and blind ambition, he overcomes daunting physical obstacles, betrayals, countless close calls and overwhelming odds to beat the system and execute his mad plan. (PG – 123 minutes)

“The Walk” is one of the most visually stirring movies you will ever witness. The inspired imagery flourishes right from the start, as writer/director Robert Zemeckis uses colors, angles and other optical fireworks to introduce audiences to the unique way that Philippe Petit sees the world. But, of course, that is just the beginning as Zemeckis eventually takes viewers to hair-raising heights. And while the wire-walking is the cinematic centerpiece, the taut suspense in the scenes during which Petit and his “accomplices” set the stage is the most engrossing element of it. Moreover, star Joseph Gordon-Levitt gives what may be not only the year’s best performance but also the greatest acting achievement of his career. (Thumbs Up!)

Coinciding with the release of “The Green Inferno,” Breakthrough Entertainment has a conversation with cannibalism expert Carol A. Travis-Henikoff. Other guests include musician Natalia “Saw Lady” Paruz (“Time Out of Mind”), actor Nikola Kent (“Ray Donovan”) and director Ron May (“Sex with Strangers”) while “Ashby,” “A Brilliant Young Mind” and “Pay the Ghost” are among the other films featured. (Download MP3)

Segment 1 – Opening/Review: “Scream Queens”

Segment 2 – Review: “The Green Inferno”

Segment 3 – Interview: Author Carole A. Travis-Henikoff (“Dinner with a Cannibal: The Complete History of Mankind’s Oldest Taboo”)

Segment 4 – Recipe: How to Prepare Human Carcass for Cooking

Segment 5 – Reviews: “Ashby,” “A Brilliant Young Mind,” “Pay the Ghost” and “Time Out of Mind”

Segment 6 – Interview: Musician Natalia “Saw Lady” Paruz (“Time Out of Mind”)

Segment 7 – Interview: Actor Nikola Kent (“Ray Donovan”)

Segment 8 – Interview: Director Ron May (“Sex with Strangers”)

Segment 9 – Closing/Preview of Breakthrough Entertainment’s Halloween Spooktacular

Full Show (Segments 1-9)

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Among the new movies that were released Friday, Sept. 25 are Eli Roth’s long-awaited cannibalism thriller, an early Halloween treat starring Nicolas Cage and a drama in which Richard Gere plays a homeless, mentally-ill man.

‘Ashby’

Nat Wolff plays a young man who is given an assignment to interview an older person and turns to his mysterious neighbor (Mickey Rourke) for help. That new connection leads to unexpected journeys for both of them, as the neighbor – who turns out to be a retired CIA assassin – deals with a terminal prognosis and the young man deals with adjusting to life with his newly single mom (Sarah Silverman) and developing relationship with a brainy classmate (Emma Roberts). (R – 100 minutes)

“Ashby” is one of those movies that wants to be so many different things that it forgets to actually be good at one of them. The new dramedy features several story strands and dueling tones, all of which makes for a film that fails to retain viewers’ interest much less affect them on the emotional level that its final moments suggest it aspired to. While star Mickey Rourke gives an appealing performance, his title character’s tale is far less entertaining or engaging as the coming-of-age subplot driven by co-star Nat Wolff. Meanwhile, Emma Roberts’ talent goes completely unused. (Thumbs Down!)

‘A Brilliant Young Mind’

Asa Butterfield plays a socially awkward teenage math prodigy who finds new confidence and new friendships when he lands a spot on the British squad at the International Mathematics Olympiad. (NR – 111 minutes)

“A Brilliant Young Mind” may at first feel like it it going to tread a well-worn path and therefore be predictable and prosaic but it quickly becomes apparent that the new drama has much more emotional depth up its sleeve. The International Mathematics Olympiad is merely a cog in a much larger wheel when it comes to the British import, as the story surrounds the human connections that are made. And said connections are genuinely touching thanks to the actors’ nuanced performances, with Asa Butterfield leading the way as a young man who comes of age in a way that is far more meaningful than winning some competition. (Thumbs Up!)

‘The Green Inferno’

Lorenza Izzo, Ariel Levy, Aaron Burns, Kirby Bliss Blanton and Daryl Sabara play a group of student activists who travel from New York City to the Amazon to save the rainforest. However, once they arrive in this vast green landscape, they soon discover that they are not alone – and that no good deed goes unpunished. (R – 103 minutes)

“The Green Inferno” is an acquired taste. That is to say, the new Peruvian jungle-set shocker is certainly not for everyone as most moviegoers will likely be unable to stomach the gory, gruesome and grotesque images that are placed on display. However, those who have an appetite for bloodcurdling carnage will be in hog heaven as writer/director Eli Roth has undoubtedly outdone himself here, serving up a nauseatingly blood-soaked thriller. It is a fantastically frightening feast from beginning to end, cooking up horror that is insanely intense, incredibly creative and has a definitively distinct flavor. (Thumbs Up!)

‘Pay the Ghost’

Nicolas Cage plays a man who, one year after his young son disappeared during a Halloween carnival, is haunted by eerie images and terrifying messages he cannot explain. Together with his estranged wife (Sarah Wayne Callies), he will stop at nothing to unravel the mystery and find their son – and, in doing so, he unearths a legend that refuses to remain buried in the past. (NR – 94 minutes)

“Pay the Ghost” has extraordinary potential but wastes it all in favor of a screaming banshee. The first third of the new supernatural horror flick sets up its story well, sending chills down its viewers’ spines while also encouraging their imaginations to come up with all of the various explanations – both logical and illogical – that could potentially be found further down the film’s path. Unfortunately, the explanation that is selected is the least imaginative of them all and therefore also the least compelling. There is an awful lot of spookiness in store but very few legitimate scares, making the movie more Halloween trick than treat. (Thumbs Down!)

‘Time Out of Mind’

Richard Gere plays a homeless, mentally-ill man who, drifting through the city looking for food, alcohol and shelter, takes advantage of some social services but lacks the proper paperwork to get the financial assistance he needs. He also tries to make contact with his estranged daughter (Jena Malone) and befriends a fellow homeless man (Ben Vereen) who claims to have been a successful jazz musician. (NR – 117 minutes)

“Time Out of Mind” is somewhat slow and meandering but it is also a little mesmerizing as it mimics the depressing day-to-day existence of someone who is simply trying to survive on the streets. Star Richard Gere is excellent, pulling hard on your heartstrings due to his disheveled appearance and dispirited demeanor. Granted, writer/director Oren Moverman’s new socially conscious drama demands an awful lot of viewers but those who stick with it are rewarded with rich insight and emotion that can only be described as haunting and hard to shake. (Thumbs Up!)

Breakthrough Entertainment climbs “Everest” with Alpenglow Expeditions mountaineer Adrian Ballinger, live via satellite phone from Camp 2 on Makalu. Actress/co-writer Hailey Smith also stops by the studio to discuss “Once I Was a Beehive” while “Cooties” and “Sleeping with Other People” are among the other films featured. (Download MP3)

Segment 1 – Opening/Host Chat

Segment 2 – Review: “Everest”

Segment 3 – Soundbite Spotlight: Jason Clarke, Josh Brolin, Jake Gylenhaal, etc. (“Everest”)

Segment 4 – Interview: Mountaineer Adrian Ballinger (Alpenglow Expeditions)

Segment 5 – Interview: Actress/Co-Writer Hailey Smith (“Once I Was a Beehive”) – Part 1

Segment 6 – Interview: Actress/Co-Writer Hailey Smith (“Once I Was a Beehive”) – Part 2

Segment 7 – Interview: Actress/Co-Writer Hailey Smith (“Once I Was a Beehive”) – Part 3

Segment 8 – Reviews: “Cooties” and “Sleeping with Other People”

Segment 9 – Closing/Picks of the Week

Full Show (Segments 1-9)

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